erment zones, two of my campaign commitments, which were designed to bring new loans and investments into poor areas. Both of us had chosen Simmie Knox to paint our portraits: we liked Knox’s lifelike style, and he would be the first African-American portraitist to have his work hang in the White House. He came to see me about debt relief, and he knows what he’s talking about. I wasn’t too concerned about that; Putin probably wanted to wait to see how the U.
The interview was uneventful, and when it concluded, I asked Jane Sherburne to show Starr and his deputies the Lincol On the wall of her study room, she had a terrific pen-and-ink portrait of Mother by Hot Springs artist Gary Simmons, entitledChelsea’s Ginger. I said that our attacks were not aimed against Islam “but against fanatics and killers,” and that we had been fighting It was one of the most moving tributes I had ever witnessed.
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